Oops!
It seems that the two short plays last month were not as short as anticipated - and so in March our play is Master Class. With music!
Oops!
It seems that the two short plays last month were not as short as anticipated - and so in March our play is Master Class. With music!
This month we will be reading two short plays.
The Weir
By Conor McPherson
The play opens in a rural Irish pub with Brendan, the publican and Jack, a car mechanic and garage owner. These two begin to discuss their respective days and are soon joined by Jim. The three then discuss Valerie, a pretty young woman from Dublin who has just rented an old house in the area.
Finbar, a businessman, arrives with Valerie, and the play revolves around reminiscences and banter. After a few drinks, the group begin telling stories with a supernatural slant, related to their own experience or those of others in the area, and which arise out of the popular preoccupations of Irish folklore: ghosts, fairies and mysterious happenings.
After each man (except Brendan) has told a story, Valerie tells her own: the reason why she has left Dublin, with a ghostly twist which echoes the earlier tales, and shocks the men.
Characters
Home, I'm Darling
By Laura Wade
Home, I’m Darling premiered at Theatr Clwyd in 2018, transferred to the Dorfman Theatre at the National for a sell out run in July of the same year, before transferring to the Duke of York Theatre West End in January 2019. It won the Olivier for Best New Comedy in 2019. Having said that, one Australian reviewer was definitely unimpressed (let's just hope she was having a bad day...)
The play tells the story of happily married couple Judy and Johnny, both fans of all things 1950s, attending rock and roll dance festivals with their friends and dressing in the fashions of the era. When Judy gets made redundant from her job in finance, she makes the decision to leave the pressures of modern life behind and become a stay at home housewife transporting herself and her home back to the 1950s. Whilst Johnny is supportive of this decision at the beginning, three years later financial pressure of being the only wage earner begins to have serious consequences on their marriage.