Wednesday, November 5, 2014

3 December - And Then There Were None

On 5 November we read the rather moving Journey's End, which gives the reader/audience a taste of the horrors of the trenches in WW1.  It was rather a long play, but one which would have been impossible to cut because no scene is 'wasted': each dialogue gives so much information about the characters in the piece, their lives, their fears and their hopes.


Next month will be much jollier!  And not just because I'll have some wine mulling for the 'interval'!

We will read And Then There Were None by Agatha Christie: it is reputed to be one of her finest works, but although she thought it finely crafted Christie herself did not think so.

It is Christie's best-selling novel with 100 million sales to date, making it the world's best-selling mystery ever, and one of the best selling books of all time. 

The play opened in 1943 under the title of the book: Ten Little Niggers, but when it opened in New York the following year the title was changed to Ten Little Indians.  The original title was a reference to a song on which the piece was based:

Ten little nigger boys went out to dine;
One choked his little self and then there were Nine.
Nine little nigger boys sat up very late;
One overslept himself and then there were Eight.
Eight little nigger boys travelling in Devon;
One said he’d stay there and then there were Seven.
Seven little nigger boys chopping up sticks;
One chopped himself in halves and then there were Six.
Six little nigger boys playing with a hive;
A bumble bee stung one and then there were Five.
Five little nigger boys going in for law;
One got into Chancery and then there were Four.
Four little nigger boys going out to sea;
A red herring swallowed one and then there were Three.
Three little nigger boys walking in the Zoo;
A big bear hugged one and then there were Two.
Two little nigger boys sitting in the sun;
One got frizzled up and then there was One.
One little nigger boy left all alone;
He went out and hanged himself and then there were None.

This isn't going to spoil the story for you, because although the song is referred to in the play, the text was later adapted to reflect the song more accurately for film - but this isn't how the play we will be reading ends!

The play was adapted into a film in 1945, 1963 and again in 1974

And Then There Were None (1945).jpg                                              And Then There Were None FilmPoster.jpeg


There is a new adaptation to be screened by the BBC next year: I hope this won't spoil it for you!

I would urge you NOT to go to wikiepedia, and to try to stop you from doing so, here's a summary of the characters.  Each has been summoned to an island from which they cannot escape (no boat, and the boatman has been paid not to answer distress signals), each is a murderer .. and then they mysteriously begin to die, one by one ...






The Cast In No Particular Order:

Anthony James Marston killed two young children (John and Lucy Combes) while driving recklessly, for which he felt no real remorse nor did he accept any personal responsibility, complaining only that his driving license had been suspended as a result.

Mrs Ethel Rogers, the cook/housekeeper and Thomas Rogers' wife, described as pale and ghostlike woman with shifty light eyes. She was dominated by her bullying husband, who withheld the medicine of their former employer (an elderly spinster, Miss Jennifer Brady) to collect an inheritance they knew she had left them in her will. Mrs Rogers was haunted by the crime for the rest of her life

General Mackenzie  a retired World War I war hero, who sent his late wife's lover (a younger officer, Arthur Richmond) to his death by assigning him to a mission where it was practically guaranteed he would not survive. Leslie Macarthur had mistakenly put the wrong letters in the envelopes on one occasion when she wrote to both men at the same time.

Rogers, the butler and Ethel Rogers' husband. He dominated his weak-willed wife and they killed their former elderly employer by withholding her medicine, causing the woman to die from heart failure and inheriting the money she bequeathed them in her will.
 
Emily Caroline Brent, a rigid, repressed elderly spinster holding harsh moralistic principles. She accepted the vacation on Soldier Island largely due to financial constraints. Years earlier, she had dismissed her young maid, Beatrice Taylor, for becoming pregnant out of wedlock. Beatrice, who had already been rejected by her parents for the same reason, drowned herself in a river, which Miss Brent considered an even worse sin.
 
Dr Edward George Armstrong, a Harley Street doctor, responsible for the death of a patient, Louisa Mary Clees, after he operated on her while drunk, many years earlier.

William Henry Blore, a retired police inspector and now a private investigator, accused of falsifying his testimony in court for a bribe from a criminal gang too dangerous to double-cross, which resulted in an innocent man, James Landor, being convicted and sentenced to life imprisonment. Landor died in prison. Blore arrives using the alias "Davis" and claiming to have arrived from South Africa, as he was instructed to do by Isaac Morris, who hired him for "security" work, but is confronted about his true name which was revealed on the gramophone recording, and he acknowledges his true identity
 
Philip Lombard, a soldier of fortune. Literally down to his last square meal, he comes to the island with a loaded revolver, as suggested by Isaac Morris. Lombard is accused of causing the deaths of a number of East African tribesmen, after stealing their food and leaving them to starve.
 
Vera Elizabeth Claythorne, a cool, efficient, resourceful former teacher and governess, who has taken mostly secretarial jobs since her last job as a governess ended in the death of her charge, Cyril Hamilton, whom she intentionally allowed to swim out to sea – as the child had wanted to do but had theretofore been denied as too dangerous – and drown. She did this so her lover, Cyril's uncle Hugo Hamilton, could become the family heir, inherit the estate and marry her, which had been their original plan before Cyril's birth changed things. She swam out to sea to "save" Cyril to make it seem he had disobeyed her – as she had consistently told him it was too dangerous – but knowing she would not arrive in time. Hugo, however, who loved his nephew, abandoned her after he somehow realised what she had done.
 
Justice Lawrence John Wargrave, a retired judge, known as a "hanging judge" for liberally awarding the death penalty in different murder cases, and is accused of judicial murder as a result of giving biased summation and jury directions leading to a hanging which was widely believed at the time to be a deliberate miscarriage of justice on his part.


 




There are 10 characters, and if we happen to be just 10 then we'll pick names out of a hat for parts to read!

Tuesday, October 7, 2014

5 November - Journey's End

I was delighted that so many of you enjoyed the plot twists of Deathtrap last month!  It is a fun play, if somewhat American in its references, which maybe we therefore didn't fully appreciate?

Next month will be much more sombre, as we will be reading Journey's End by R C Sherriff in a nod to the centenary of the outbreak of World War One and Remembrance Sunday.  Although not a  household name, Sherriff also wrote the screen plays for The Dambusters and Goodbye Mr Chips. 

Journey's End is an emotional examination of the lives and fears of soldiers in the trenches of World War One. Perhaps one reason why this play has stood out amongst WWI literature is that it was based on Sherriff's own experience as a captain in the war.

Normally I search the internet for pictures to give you a feel for the play.  This month I am delighted to have some that I took when I produced the ECC production in 2006. 

A sad story:  the costumes were hired from a wonderful company in the UK. Wonderful original pieces.  Yet sadly an arsonist attacked their store and they lost most of their stock of genuine historical costumes.






















Monday, September 8, 2014

1 October - Deathtrap

Unfortunately, as I had flu in August (really!) we had to postpone Abigail's Party until September.  I was really very sorry that Dawn could not be with us, as this had been her suggestion and a very good one it was too!

I was delighted that you all found it so funny, and I can't type the name of the play now without smiling at the memory of how tickled Isobel was throughout the reading!!

Beverley certainly is a monster, but with the exception of Sue, caught up in the horrendous evening, none of the characters are people you'd really want as neighbours.

NEXT MONTH: DEATHTRAP by Ira Levin

I urge you NOT to google the plot of this play!

Sidney Bruhl is a playwright living off his reputation for one smash thriller.  But that doesn't pay to keep him in the style to which he has become accustomed.  Then one day he receives a highly commercial draft from a student.  But is it worth killing for?

This play's twists will make you gasp!

It is set in 'The Present': the present then was 1978, but really it is timeless and could be set as a modern day thriller.

The cast are:

Sidney Bruhl: A washed up playwright, living off his reputation and dwindling savings

Myra Bruhl: His wife, with money of her own

Clifford Anderson: A young student that Sidney met at a seminar that he gave.

Helga ten Dorp: A psychic who is living in a neighbouring house

Porter Milgrim: Sidney's friend and lawyer

Below are a couple of pictures of set, to give you a feel for Sidney's study, in which the entire piece takes place.




Ira Levin: The 'Real' Playwright
Whilst not a challenge to The Mousetrap, Deathtrap holds the record for the longest running comedy-thriller on Broadway.  In 1982 it was adapted into a film starring Christopher Reeve, Michael Caine and Dyan Cannon.

A Young Christopher Reeves ...

and Michael Caine ...

and Dyan Cannon





Wednesday, July 16, 2014

6 August - Abigail's Party

Many thanks to all who turned up today to read The History Boys ... and especially to Margaret who had the most difficult lines.  I was so pleased that we were able to read it, at last!  And I felt you all enjoyed it and appreciated Bennett's humour.

Welcome to Sheena - we hope you enjoyed the group and hope we have given you a favourable impression of WIC!

Thank you too to Kyung-Sook and Isobel for the lovely cakes - they were yummy.  And my thanks to everyone who took some of the cakes home with them!

NEXT MONTH:  ABIGAIL'S PARTY

As I am pressed for time tonight, I am shamelessly copying from Wikipedia!  However, I might mention that the BBC version featured the wonderful Alison Steadman as Beverley and Janine Duvitski as Angela.  You might remember the latter from a number of sitcoms, most notably One Foot in The Grave, and I personally feel she is often under-rated as an actress.  Tim Stern was Laurence, John Salthouse played Tony and Harriet Reynolds was Susan.  All were the original cast apart from Harriet Reynolds who replaced Thelma Whiteley.

As this play was set in the 70s, I hope to be able to provide suitable nibbles for the interval.......

So this is what Wikipedia has to say (abridged):

Abigail's Party is a play for stage and television devised and directed in 1977 by Mike Leigh. It is a suburban situation comedy of manners, and a satire on the aspirations and tastes of the new middle class that emerged in Britain in the 1970s. The play developed in lengthy improvisations during which Mike Leigh explored the characters with the actors, but did not always reveal the incidents that would occur during the play. The production opened in April 1977 at the Hampstead Theatre, and returned after its initial run in the summer of 1977, 104 performances in all. A recording was arranged at the BBC as a Play for Today, produced by Margaret Matheson, and transmitted in November 1977.



  • Beverly Moss - An ex-department store make-up representative, 'a quondam beautician', she has failed her driving test three times. During the play, she flirts with Tony and is always trying to impress her guests. According to the critic Michael Coveney; "Beverly is undoubtedly a monster. But she is also a deeply sad and vulnerable monster...The whole point about Beverly is that she is childless, and there is a sense in which that grotesque exterior carapace is a mask of inner desolation."
  • Laurence Moss - Estate agent with 'Wibley Webb'. Laurence is Beverly's husband, and the pair frequently argue. He aspires to the finer things in life but seems powerless to compete with Beverly's more flamboyant persona, and compensates by working too much, as his wife points out on several occasions. 
  • Tony Cooper - He works in computing. Tony is quiet throughout most of the play, usually appearing uneasy and giving one-word answers, but towards the end he becomes somewhat irate and quick-tempered, particularly with his wife. 
  • Angela Cooper - Tony's wife. A nurse, Angela appears very meek and somewhat childlike, unintelligent and tactless.
  • Susan Lawson - Sue was getting divorced at the same time the other characters were getting married. She is a quiet character who does not really have the courage to say no. She is the only female visibly not 'dressed-up' for the gathering; clearly, she would rather be elsewhere. 


Wednesday, June 4, 2014

NEXT PLAY READING DATE: 16 JULY

As I am not able to host you the first week of July, we will meet on the 16th to read (hopefully) The History Boys.

I will put some more work into the script to try and make it work for a smaller number of people - but it might mean more stopping and starting than usual!

An Unexpectedly Successful Reading - Peter & Alice by John Logan

Well, it was a relief to have a play reading afternoon and for no-one attending for the last time!

We had hoped to do The History Boys today, but as we were reduced in numbers we switched to Peter and Alice by John Logan.

Peter and Alice is a reflection on how the lives of Peter Llewelyn Davis and Alice Liddell were affected by being the children behind the characters of Peter Pan and Alice in Wonderland.  The pair met in 1932 at the opening of a Lewis Carroll Exhibition at Columbia University, and the play explores how their conversation might have gone and how their childhoods influenced their reality of growing old and their attitudes to it.  It was a surprisingly moving play, and many of us, although not all, enjoyed immersing ourselves in this one-act play and the way Peter, Alice, Carroll and Barrie's lives are intertwined with input from Peter Pan and Alice in Wonderland and texts from their works.  I feel this is an inadequate summary of an interesting and challenging play!

If you were not with us and want to read the play please let me know  before I recycle the scripts!

Wikipedia makes interesting reading, and gives alternative views as to why Carroll and the Liddell family fell out. From this page you can click the link to pages for the four people involved:  http://en.wikipedia.org/wiki/Peter_and_Alice

It was a lucky chance: the play was chosen on the basis that it was for 7 actors and, more importantly, the film had starred Dame Judi and I had put my faith in her good taste! 

As a one-act play we found that having no interruptions to the text and each character being read by just one voice helped us to focus on the text and become more involved in the play.  Not something we will do regularly, but interesting and enjoyable for a change.


Ben Whishaw and Dame Judi Dench in Peter & Alice

Charles Dodgson, better known as Lewis Carroll

Alice Liddell, aged 7, photographed by Charles Dodgson in 1860

Alice Hargreaves in 1932, aged 80

J. M. Barrie

The Original Lost Boys

Michael Llewelyn Davis - was he the 'real' original Peter Pan
Newspaper Report on the death of Michael

Peter as a child