I confess. I picked up this play thinking it was something else!! Oops. I hope you will forgive me.
It is a modern play. Very. Be prepared for a few naughty words! It deals with modern problems, with humour.
This is the 2003 Theatre Guide summary of the play (well, bits of it!)
I think we all deserve a treat. It's been a long, hot summer,
everyone has been off at the Edinburgh Festival, and the only histrionic
fiction staged for our delectation has been the Hutton Enquiry.
Happily, we can now all have that special treat, because Henry Adams's
Fringe First Award-Winning play has transferred from the Traverse to the
Theatre Royal Stratford East.
This is a very fine piece of
writing from the Caithness-born playwright, Henry Adams. .... It's strengths lie in its wit, its
characterisation and its bizarre and topical plot. It is also
belly-laughter funny. It is so satisfying to reel with laughter at some
of those things we fear most.
The People Next Door deals
in topicalities and stands out particularly in Scottish playwriting
simply by putting a hitherto neglected minority group of black and Asian
immigrants on the stage. Ipso facto it's got everything going for it.
Nigel
is a half Pakistani whose father did a runner when his Scottish mother
was pregnant. In his daydreams he is Salim, an ultra hip, super cool guy
with considerable street-cred and the lingo to prove it. In everyday
reality, he lives in a tenement on disability allowance having been
diagnosed with a mental disorder. He might have a borderline personality
but Nigel is warm, caring, savvy and just crazy enough to have no
inhibitions about saying what he thinks. In other words he is utterly
loveable.
His only friends are Mrs Mac, the old Scottish widow
upstairs, and a black teenager, about as smart as they come, with an
unfortunate family background. Nigel suffers from chronic anxiety, and
if he thinks he is paranoid a man is just about to walk into his life to
show him he's not nearly paranoid enough.
Enter Phil, a bent
copper with stashes of drugs in every pocket and up his nose, and a
psychosis Freud would have salivated to get onto his couch. Phil bursts
into Nigel's life because he has discovered that the long-lost
half-brother, the golden boy, Karim, has become an international
terrorist on the wanted list of every intelligence agency in the Western
Hemisphere and Phil intends to show the boys in the Special Branch that
the average copper, himself in particular, is just as smart as they
are.
This is genuinely a topical play,
with a serious political statement to make, if, like I do, you see the
personal as political. But it is delivered to us with a comedy that
bleeds seamlessly on occasion into farce and satire.